Annabel Talbot
Bowl-shaped silhouettes in different sizes form the basis of Annabel’s Ceramic work. These 3-dimensional Ceramic canvases made in Stoneware and Porcelain depict abstract landscapes of Earth and Sky. Glaze is applied in the same considered way a painter would use paint, understanding and experimenting with the colours that can move and change considerably during the high-temperature firing.
Annabel lives and works in Northumberland.
Education
Northumbria University Newcastle Upon-Tyne
BA in Visual Culture - First Class Honours
Cordwainers College
London College of Fashion London
Advanced Diploma Design, Footwear and Accessories
Future Exhibitions
2022 'Loan research and preparation. p.LACE.s / Looking through Antwerp Lace' MOMU - MODEMUSEUM ANTWERPEN
Collaborative work created with Chilli Studio - Vane Art Gallery Newcastle
Curated Exhibitions
2015 Common Grounds: Lace Drawn from the Everyday
2013 Material Remains
2012 Study, Design & Create: The 98 Lace Group inspired by The Blackborne Collection
Key Exhibitions
2013 Laura Ashley: The Romantic Heroine – loan exhibition from the Fashion Museum in Bath
2013 'Loan research, preparation. In Fine Style: The Art of Tudor and Stuart Fashion - loan of lace to Queen’s Gallery Buckingham Palace
2012 Stephen Jones: Georgiana to Boy George
2011 Vivienne Westwood Shoes
2006 Fine and Fashionable Lace from The Blackborne Collection
Conferences/Presentations
2013 Thread to Pigment: Interdisciplinary Approaches to Early Modern Dress University of York Introduction to the Blackborne Collection of Lace
2013 DATS (Dress and Textile Specialists) in partnership with the V&A Back to Basics workshops: Identifying hand-made lace with Annabel Talbot
2012 DATS (Dress and Textile Specialists) An Access Project in Progress - The Blackborne Lace Collection Annabel Talbot
2010 Gros Point de Venise: The Most Important Lace of the 17th Century; International Symposium, Textile Museum St. Gallen
2010 Textile Care and Management Qatar National Museum: Bowes Museum
Fundraising
2008 The Art Fund and V&A Purchase fund the Adam textile design by Keith Vaughan for The Fashion and Textile Gallery at The Bowes Museum
Film
(2013). The Lacemaker, The forgotten History Directed by Edward Jarvis
Written Publications
(2014). Selvedge, The Personal is Political p32-35
(2012). An Access Project in Progress - The Blackborne Lace Collection. The Dress and Textile Specialists Journal, p 36-38
(2012). Venetian Lace in the Second Half of the 19th Century illustrated through The Blackborne Lace Collection. Gros Point de Venise, St. Gallen Switzerland Textile Museum, p. 139-144
(2011). Book Review: Alexandra Palmer, Dior (London: V&A Publishing, 2009). Costume. Vol. 45 (3), p143